Britain's young classical musicians deserve to be trumpeted

Michael Gove made any announcements on youth initiatives where schools participated in the festival, but the talent of the show is obvious what will happen

Okay, so if you go to the Land of Hope and Glory is the only way to work stomachable: an audience of schoolchildren and their teachers and about 1,000 artists set the tone Elgar huge welly enthusiastic support of experts with Wessex Youth Orchestra. Every night of the Youth Music School Proms ends with Elgar's tone, and I must admit it was impossible to resist the energy and excitement at the Royal Albert Hall during the last three hours of the most inspiring to make music I've heard this year. I say no, who joined the same choir - that remains a bridge too far for my delicate sensibility Scottish - but there was education secretary Michael Gove in the box next to me saying the words, but not in the patriotic tone standing ovation.

Gove was there to offer two music teachers of the Year awards - and give absolutely nothing on the national music, which could be announced the same day he made his visit to the dance schools, but for those who have to wait ... well, who knows? A few days? A week? Gove was booed by the audience - or at least teachers - as he spoke, and Classic FM presenter Margaret Taylor tried to help with a little "We're in this together, there will be good news soon "style rhetoric.

Congratulations to Gove to go with the Royal Albert Hall knowing that they probably get criticism from the assembled masses of music teachers. His was by far the most disappointing night online which included a representative sample of some of the most talented young musicians in the country. Devon's fan-based klezmer Klezbians (yes, really) who welcomed the crowd to the Brighton Youth Orchestra String Ensemble, who choreographed Vivaldi Concerto for Two Cellos with a gall Bob Fosse would have been proud - and played from memory as the subtle tensions High St Aidan School Chamber Choir singing Eric Whitacre, the nearly 1,000 people gathered together Islington: the music was so good night you expect

, which came out two obvious lessons. First, the national music must do justice to the enormous diversity of talent and enthusiasm of youth in Britain. Much remains to be done to promote the brilliance of our young musicians in this country - the other - and I said several times, but now only need to repeat as much as ever. I'm tired of hearing about the wonder of Venezuela, Brazil, or any other place where the musicians are young. We have enough talent for music and community visionary and music education projects to fill all space and throughout the country, night, nightlife, and it is these people who deserve the exposure of Simon Bolivar, Teresa Carreño or other international youth orchestra or band gets place at the time.

talk: Marcus Marshall has left his role as head of music at the Southbank Centre to become "special adviser to the project" a collaboration system for the center, and run the baroque orchestra in Venezuela . Special projects with the adviser bit, apparently, the organization of a "research program designed to increase their long-term cooperation" between the Southbank Centre and the Centre for Social Action System for music in Caracas. And suggest the system and sets could have obtained a foothold on the Southbank. But why not a research or cooperation with a youth orchestras from Britain, sets and education professionals (not just the National Youth Orchestra of Great Britain, because they are wonderful)? What about the celebration of "social action through music", programs that have taken place for decades in Britain

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