Royal Albert Hall, London
tilted somewhere between a pantomime, a magazine ramp and variety show from the old school, free dance this year, the family barely qualified for the status of dance, with the exception of 10 carefully chosen classical pieces that crowbarred between sketches. Not that it mattered: the tail slipped back several hundred meters from the Albert Hall, which suggests that the program probably would have filled Wembley Stadium
Despite being for children, adults Horrible Histories won a British comedy sketch show the best proof of how absurd Python calls in both the know-parents and the children. A crowd of 5000 cheered as the Grim Reaper pranced around the stage, brandishing a scythe and brilliant joke about the death of an obscure French composer. Thousands of screaming children corrected Henry VIII in his marital history and happily joined to play their cards to try to guess how many people were executed. And the feudal system was demonstrated in a brief parody of the classic design Cleese / Corbett / The Barker report Frost, a routine, even more than most parents here.
Team Guardian critics will review each dance this year and would love to hear your verdict, too. Each dance will be broadcast live on Radio 3, Proms or via the website (you can also listen again for up to seven days after each concert). Send your comments on the thread of comments on each review, or your comments tweets using the hashtag # gdnproms. We will choose the best set in a weekly blog at guardian.co.uk / music
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